For an institution that loves to drape itself in the grandeur of Hollywood’s golden age and dedicate itself to celebrating the best in cinema, the Oscars have always been just a bit of a mess. The annual night at the Dolby Theatre desperately wants to be a bastion of taste and cultural significance, but more often than not, careens between self-importance and outright absurdity. For every soaring moment of career-defining triumphs, there’s a snafu, a blunder, or a jaw-dropping act of hubris to remind us that Hollywood’s biggest night is just a gilded circus for conceited clowns in couture.
Consider, for instance, the 1940 ceremony, when Hattie McDaniel became the first Black performer to win an Oscar for her role in Gone with the Wind — a momentous occasion, dampened only by the reality that she was forced to sit at a segregated table at the back of the room. The Academy patted itself on the back for its enlightened embrace of diversity, while simultaneously upholding the status quo it pretended to dismantle.
Hattie McDaniel accepts her Oscar for her role in ‘Gone with the Wind’
| Photo Credit:
The Academy
Then there was Marlon Brando’s Godfather-era snub of the establishment in 1973, when he sent Sacheen Littlefeather in his place to reject his Best Actor award as a protest against Hollywood’s treatment of Native Americans. The Academy’s response? A mix of nervous applause, outright boos, and a still-infamous moment where John Wayne had to be physically restrained from storming the stage in anger. The Academy later admitted that Littlefeather endured years of professional retaliation for her speech, only to issue a formal apology five decades too late.
Of course, no discussion of Oscar-night chaos is complete without mention of the naked man. In 1974, conceptual artist and serial streaker Robert Opel dashed across the stage behind host David Niven, flashing a peace sign to an audience that wasn’t quite sure whether to laugh or recoil. Niven quipped about the “shortcomings” of the streaker, Opel disappeared into counterculture lore and Hollywood sighed in relief that, for once, a scandal could be laughed off.
Even when the scandal isn’t quite as physically revealing, it can still manage to leave the room deeply uncomfortable. Fast forward to 2003, and it was current Best Actor nominee, Adrien Brody’s turn to make the Oscars uneasy, when he planted an uninvited kiss on Halle Berry after winning Best Actor for The Pianist. The moment was initially met with applause, but in retrospect, it aged about as well as milk left in the sun. Berry, clearly caught off guard, later admitted she had no idea how to react in the moment.
Actor Adrien Brody suprises presenter Halle Berry with a kiss after he won the Oscar for best actor for his work in ‘The Pianist’ at the 75th annual Academy Awards at the Kodak Theatre in Hollywood, Calif., Sunday, March 23, 2003
| Photo Credit:
Brian Vander Brug
Then there are the controversies that don’t involve a single shocking moment but rather an entire obnoxious creative choice. Seth MacFarlane’s 2013 hosting gig is a prime example, with the lowest point being a musical number titled “We Saw Your Boobs,” in which he recounted topless scenes of Hollywood’s most celebrated actresses — many of which were in films depicting rape or sexual assault. The crowd laughed nervously, unsure whether they were witnessing satire or just straight-up misogyny. A decade later, the HR nightmare of a moment remains a reminder of how the industry could still, somehow, misread the room.
Some scandals aren’t about what happens onstage, but who isn’t there at all. The #OscarsSoWhite movement, sparked in 2015 after two consecutive years of all-white acting nominees, was the most damning indictment of the Academy’s lack of diversity in its whitewashed history. The hashtag trended worldwide, stars like Jada Pinkett Smith and Spike Lee boycotted the ceremony, and the Academy was finally embarrassed enough to begin overhauling its voting body to include more women and people of color. Progress has been made, but the shadow of that particular failure lingers.
Yet no moment epitomises the Academy’s capacity for disaster quite like the 2017 Best Picture fiasco, in which La La Land was mistakenly announced as the winner instead of the actual victor, Moonlight. The live television spectacle of confused producers scrambling to understand how they had just fumbled the most important award of the night, and Warren Beatty staring at the envelope as if it contained nuclear codes, remains one of the most surreal moments in awards history.
Sometimes, though, the failure isn’t in a single moment but in the ceremony itself. Take 2021, when the Academy, in a bold attempt to shake things up, placed Best Actor at the very end of the night; clearly expecting a poignant, posthumous win for Chadwick Boseman. Instead, Anthony Hopkins took the prize. The actor wasn’t even present, so the night ended in a deeply anticlimactic silence, with a cut to black before anyone could fully process what had just happened.
And then came 2022’s “slap heard ‘round the world”. Chris Rock made an ill-advised joke about Jada Pinkett Smith’s shaved head, prompting Will Smith to stride onto the stage and slap him across the face in a moment so surreal that many initially assumed it was scripted. The tension in the room was palpable as Smith, minutes later, won Best Actor and delivered a tearful speech about love and protection. The Academy, in routine fashion, did nothing in the moment but later banned Smith for a decade. The fallout was immense, the memes were relentless, and to this day, ‘Slap-gate’ remains shorthand for any spectacularly public meltdown.
Will Smith slaps Chris Rock onstage during the 94th Oscars at the Dolby Theatre in Hollywood, California on March 27, 2022
| Photo Credit:
ROBYN BECK
And now, in 2025, we arrive at the latest. As the Academy staggers toward Oscar night, battered by far too many self-inflicted PR meltdowns from its nominees to keep count, one thing is for certain: this year’s race has slowly reduced itself to nothing more than a miserable war of attrition.
For nearly a century, the Oscars have billed themselves as Hollywood’s most glamorous night, and yet, year after year, the ceremony proves that no amount of orchestration can keep chaos from slipping through the cracks. Whether through naked ambition, naked protest, or just plain nudity, the ceremony continues to exist as an exercise in damage control. Perhaps, the true legacy of Oscar night isn’t the gleaming statuettes handed out over the course of the night. Just the moments they never meant for us to see.
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Published – February 28, 2025 04:13 pm IST
